A.P.Polo - Metropolis Impression encadrée

A.P.Polo - Metropolis Montage arrière avec cadre flottant

A.P.Polo - Metropolis Impression sur toile avec cadre flottant

A.P.Polo - Metropolis Impression sur toile

A.P.Polo - Metropolis Impression acrylique

A.P.Polo - Metropolis Impression sur Acrylique:

ÉDITION LIMITÉE de 50

A P POLO

# 454891

A.P.POLO - METROPOLIS

Disponible sur:

ÉDITION LIMITÉE of 50

Impressions en rouleau

A.P.Polo - "Metropolis" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that, with the help of relatively simple geometric forms, nev...[+]

1331 vues

Ajouter à ma liste de selection

Suivre A P Polo

Mots clés:

Fine Art

concrete art

abstract art

modern art

contemporary art

futurism

cubism

neo-impressionism

constructivism

illusion

light

shadow

city

metropolis

urban

Hamburg

Germany

violet

purple

yellow

ochre

colorful

pattern

geometric

geometry

science

color space

rectangles

beautiful

technique

design

shape

abstract

modern

futuristic

technology

pattern

concept

change

idea

shift

creativity

new

opportunity

mind

challenge

inspiration

conceptual

solution

strategy

revolution

progress

creative

disrupt

design

rethink

improvement

future

theory

adapting

evolve

revolutionary

evolution

different

development

fundamental

growth

direction

head

intelligence

attitude

unique

symbol

knowledge

innovation

mindset

brain

disruptive

diverging

disruption

human

technology

word

communication

education

thought

ideas

imagination

science

thinking

motivation

think

concepts

communicate

achievement

psychology

metaphor

concepts & topics

freedom

breakthrough

mental

smart

architecture

downtown

skyline

building

cityscape

skyscraper

panorama

construction

fantasy

buildings

skyscrapers

structure

sci-fi

infrastructure

artistic

imagination

scenic

panoramic

center

manhattan

metropolitan

New York

USA

China

Japan

architectural appearance

architectural design

science fiction

squares

urban architecture modern architecture

urban skylines

big city life

future city

global

urban setting

nature

traffic

vibrant

control

intellect

plan

representation

model

effect

problems

transformation

conflict

confrontation

color

innovative

discussion

aspirations

process

adaptation

shape

brainstorming

ambition

invention

determination

reset

radical

philosophy

perception

scientific

confidence

change your mind

abstract

outline

element

modern

art

energy

line

dynamic

vibrant

identity

memory

motion

self

light

kinetic

difference

city

street europe

lifestyle

environment

psyche

understanding

medical

psychological

changing

problem

clever

brainstorm

society

intellectual

logic

shifting

creative thinking

perspective

views

basic concept

changes

influence

awareness

cultural

performance

system

routines

rituals

structure

visualization

optimistic

theoretical

Physiology

Biology

Physics

Isaac Newton

Opticks

physical optics

diffraction

absorption

reflection

transmission

visual system

surface

visual

outlines

square

squares

effect

bauhaus

vision

spectrum

elegance

wall art

painting

digital art

wallpaper

poster

canvas

acrylic

art print

prints

form

function

interference

viewpoint

space

vibration

chromatic

contrast

Victor Vasarely

mathematics

sci-fi

science fiction

artistic

painting

[+] expand

Chercher des images avec des couleurs dominantes similaires :

Voir cette oeuvre sur différents murs

TOILE ÉTIRÉE
ACRYLIQUE
MÉTAL
MÉTAL HD
BOIS
IMPRESSIONS DE ROULEAUX
MURALE
IMPRESSION ENCADRÉE

Impression Giclée sur toile

Toutes nos toiles étirées sont faites sur-mesure, à partir d’une toile d’exposition de 410g/m2 Bois large de 1.5 pouce de style “galerie”.
Impression Giclée avec encre pigmentée conçue pour répondre aux exigences de longévité de musées et galeries et assurer l’uniformité des nuances de couleur pour plus de 200 ans. [+]

A.P.POLO - METROPOLIS A P POLO Impression sur toile

A.P.POLO - METROPOLIS A P POLO Impression sur toile

A.P.Polo - Metropolis Cadre de décoration (moulures)

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression sur toile étirée Expédition aux USA & Canada

Prêt à être accroché - Tendu sur cadre en bois d’une épaisseur de 1,5 pouces.

Toile étirée en plusieurs panneaux

A.P.Polo - Metropolis Toile Multi-Panneaux

36 x 36 triptyque - Toile en Multi-Panneaux
39 x 36 en comprenant l’espace.
3x12x36
^$646

A.P.Polo - Metropolis Impression sur toile

36 x 36 Triptique ( croix )
39 x 36 en comprenant l’espace.
1x12x36 2X [ 12X30
^$646

Plus d’options d’impression sur toile multi-panneaux

Impression acrylique

Obtenez une pièce d’art moderne avec cette impression acrylique.
Fine Art fabriqué à partir d’un acrylique poli haut de gamme, le meilleur de sa catégorie, 99,9% optiquement pur et le dernier savoir-faire d’impression à plat.

Vidéo

[+]

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression sur acrylique avec cadre flottant en arrière.

Imprimé jusqu’au bord et prêt à être accroché, avec un cadre flottant à l’arrière.

1/8" Épaisseur

3/16" Épaisseur

1/8" Thickness:

3/16" Thickness:

Impression sur acrylique avec entretoises ( cylindres métalliques )

Imprimé jusqu’au bord et prêt à être accroché, avec 4 cylindres (entretoises) en aluminium ( les vis murales sont incluses )
Nous suggérons un plus acrylique épais (3/16 ") pour les taille plus de 42 pouces, pour garantir un acrylique droit, sans courbure

1/8" Épaisseur

3/16" Épaisseur

1/8" Thickness:

3/16" Thickness:

Impression acrylique multi-panneaux

Impression sur metal brossé / Impression lisse en métal blanc

Impression sur metal brossé

Impression lisse en métal blanc

Les sections de la photographie qui sont blanches ou très claires ne sont pas imprimées. Les zones blanches apparaissent métalliques.
Robuste, léger et offre un effet de réflexion de lumière unique [+]

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression sur metal brossé et cadre flottant

Impression pleine et montage avec un cadre flottant à l’arrière de 3/4 pouce d’épaisseur avec fil de suspension.

Impression sur métal brossé avec entretoises

Imprimé jusqu’au bord et prêt à être accroché, avec 4 cylindres (entretoises) en aluminium ( les vis murales sont incluses )

Impression sur métal brossé avec une couche lustrée d’epoxy

Avec un cadre flottant à l'arrière et nous appliquons manuellement un vernis époxy pour un effet de lumière étonnant

Impression directe sur métal pour fournir une finition satinée lisse et blanche avec réflexion contrôlée de la lumière
Robuste, très léger et offre un effet mat [+]

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression métal blanc avec cadre flottant à l’arrière

Impression pleine et montage avec un cadre flottant à l’arrière de 3/4 pouce d’épaisseur avec fil de suspension.

Impression sur métal brossé avec entretoises

Imprimé jusqu’au bord et prêt à être accroché, avec 4 cylindres (entretoises) en aluminium ( les vis murales sont incluses )

Impression multi-panneaux métalliques

HD ChromaLuxe Impression de Sublimation Métal haute brillance

A.P.Polo - Metropolis Impression métal HD avec cadre flottant sur le dos

A.P.Polo - Metropolis Impression de sublimation métal HD

A.P.Polo - Metropolis HD sublimation métal imprimé avec décoration flotteur cadre (boîte)

Brillance des couleurs, durabilité supérieure et qualités archivistiques
Cette oeuvre est produite sur une sublimation de colorant Chromaluxe panneau en métal haute définition

Vidéo

[+]

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression de Sublimation Hi-Gloss sur métal blanc avec cadre arrière

Impression pleine et montage avec un cadre flottant à l’arrière de 3/4 pouce d’épaisseur avec fil de suspension.

Impression de Sublimation Hi-Gloss sur métal blanc avec cadre décoratif

À l’intérieur d’un cadre de décoration (boîte)-cadre flottant noir

Impression multi-panneaux sur métal HD

Impression sur bois

Imprimé avec des encres UV qui procurent une qualité d’image incroyable et qui résistent aux égratignures. Les couleurs ne pâliront pas à travers le temps.
Les zones blanches et très claires ne sont pas imprimées sur le bois, révélant la beauté naturelle de la texture du bois
Imprimé sur un bois large de 3/8 de pouces ( 9mm). Ce bois préparé à partir de merisier russe, il est durable et robuste. [+]

30 jours de satisfaction garantis
Livraison gratuite au Canada et aux États-Unis (continental)

Impression sur bois avec cadre flottant arrière

Impression pleine et montage avec un cadre flottant à l’arrière

Vidéo

[+]

Impression sur bois multi-panneaux

Impression en Rouleau.

Nous expédions dans le monde entier!

Impression sur toile giclée Livrée en rouleau
Imprimé sur du papier peint mat Fine Art - Fourni à l’intérieur d’un tube d’expédition solide [+]

Papier giclée sans acide de première qualité
Imprimé sur papier photo satiné - ( Affiche ) Fourni à l’intérieur d’un tube d’envoi Strong [+]

Giclée Art Matte Paper Print
Imprimé sur un papier mat d’archives de qualité supérieure avec une texture lisse et un blanc neutre - Fourni à l’intérieur d’un tube d’expédition Strong [+]

Impression murale

Facile à installer. Vinyle auto-adhésif, lavable et repositionnable [+]

Vidéo

Pour obtenir le prix de votre murale, Entrez les mesures de votre mur :

POUCE PIED CM

Notre technologie de 10 couleurs
Nos peintures murales sont produites sur des imprimantes avec une qualité d’impression photographique exceptionnelle. Une résolution d’image extrême : qualité d'image photographique
avec la gamme de couleurs plus grande de sa catégorie

Facile à installer
Notre impression murale peut être enlevée sans aucun dommage à vos murs. Facile à modifier ou à supprimer. Nous utilisons un média de 6 mil auto-adhésif en vinyle avec une texture subtile de lin-coton.
Changer l’apparence d’une pièce sans avoir à utiliser du papier peint traditionnel. Nos impressions murales deviennent la solution parfaite pour améliorer facilement n’importe quel espace résidentiel ou commercial !

Vinyle autocollant repositionnable livré par bande de 35 à 45 pouces de largeur qui se chevauchent légèrement pour faciliter l’installation.
[Plus d’infos sur nos impressions murales]

Impression encadrée sur mesure

Pour obtenir "A.P.Polo - Metropolis " dans une impression encadrée.
Entièrement personnalisable - à la taille exacte que vous désirez. Sélectionnez le type de papier, le verre, le mat et le cadre de décoration
Commencez à construire votre impression encadrée personnalisée en sélectionnant l’une des moulures suivantes:

PLUS DE CADRES PERSONNALISÉS

Impression encadrée de format standard

[+]

Vidéo

28 x 28"

28 x 28" Framed Print

A.P.Polo - Metropolis Impression du cadre

Surface imprimée: 24 x 24"
Total Intérieur de la surface: 28.00 x 28.00"
Bordure blanche: 2" on each side
Largeur de l'image: 1.25" on each side
Dimension physique totale: 29,25 x 29,25"

Frame model: 832-745
Printing method: 1200dpi UV cured ink on fine art matte board
Ready to hang with wire at the back

SEE ALL STANDARD FRAME OPTIONS

Horloge murale

Détails du produit

Cette œuvre d'art est réalisée en acrylique de haute qualité Prêt à être accroché.

Vidéo

Mécanisme d'horloge avec un mouvement à quartz précis. Pile incluse
Disponible en format carré ou rond
Disponible en 12" 16" 24"

Créer le vôtre

Téléchargement Numérique

File resolution: 6226 x 6226 pixels

À propos A P POLO
Suivre

SUR CETTE OEUVRE: A.P.POLO - METROPOLIS
A.P.Polo - "Metropolis" - Hamburg (Germany) - New Media Art. Abstract, contemporary work that, with the help of relatively simple geometric forms, nevertheless leaves the impression of a complex urban structure on the viewer. This work can be classified as concrete art. A metropolis is a large city or conurbation which is a significant economic, political, and cultural center for a country or region, and an important hub for regional or international connections, commerce, and communications. The term is Ancient Greek and means the "mother city" of a colony (in the ancient sense), that is, the city which sent out settlers. This was later generalized to a city regarded as a center of a specified activity, or any large, important city in a nation. A big city belonging to a larger urban agglomeration, but which is not the core of that agglomeration, is not generally considered a metropolis but a part of it. For urban centers outside metropolitan areas that generate a similar attraction on a smaller scale for their region, the concept of the regiopolis ("regio" for short) was introduced by urban and regional planning researchers in Germany in 2006. M?tropolis ("mother city") is what the ancient Greeks called the city from which an associated colony had been founded. These had a great political influence on the colonies. Due to the city-state system, these cities were also the political, religious, economic, cultural and social centres of their respective regions. The Romans adopted the term from the Greeks, but with a slightly different meaning. From Roman times onwards, important provincial capitals in late antiquity were called metropolis. As one of these cities, the metropolis of Trier, for example, was able to seamlessly continue its late antique prosperity well into the early Middle Ages. The term metropolis in the sense of "provincial capital" was adopted by the Church in early Christianity and denoted the union of several bishoprics under the leadership of a chief bishop. This is where today's official title of metropolitan comes from in the Roman Catholic Church and in the Orthodox Churches. The term is often used as a synonym for cosmopolitan city. In contrast to a cosmopolitan city, which has absolute international significance, a metropolis can, however, also have only "relative" significance within a specific region or a specific area of society, e.g. as an art metropolis or financial metropolis. Metropolises with predominantly economic significance are referred to as global cities. Global cities are the "hubs" or control centres of the world economy, mainly because of their control and gateway function. The control function means that the headquarters of globally active companies and organisations are located in a global city. From here, they control the subsidiaries and plants in other locations. The gateway function means: the global city is a central distributor for the movement of people, money, information and goods. The gateway function is often associated with a port or major airport. Global cities are a phenomenon of the globalisation of economies and information networks. The increasing concentration of economy, administration and culture is called metropolisation. In dependency theory, metropolis is understood as the contrast to the periphery or the tricontinent. Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. "The work of art must be completely conceived and shaped in the mind before it is executed. It must contain nothing of the formal realities of nature, the senses and the feelings. We want to eliminate lyricism, drama, symbolism and so on. The picture must be constructed exclusively from plastic elements, i.e. from surfaces and colours. A picture element has no other meaning than itself. For we have left the time of searching and speculative experiments behind us. In the search for purity, artists were forced to destroy the natural form. Today the idea of the art form is as obsolete as the idea of the natural form. We foresee the time of pure painting. For nothing is more concrete, more real, than a line, a colour, a surface. Concrete and not abstract painting. For the spirit has reached the state of maturity. It needs clear, intellectual means to manifest itself in a concrete way. Colour is the basic substance of painting; it means only itself. Painting is a means of realising thought in a visual way: Every painting is a colour thought. Before the work is transformed into matter, it exists in a complete way in consciousness. It is also necessary that the realisation has a technical perfection equal to that of the mental design. We work with the quantities of mathematics - Euclidean or non-Euclidean - and science, that is: with the means of thought." "Painting is a means of realising thought in an optical way". After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Around 1903, a major turning point in art began. Painting and sculpture became increasingly distant from visible reality. Henri Matisse said that when you look at a painting, you have to completely forget what it represents. It is art that grants form, colour and pictorial composition far-reaching autonomy from the representational. This movement away from the world of the visible was called abstraction. It is about concentrating on the essential, the necessary. From 1910 onwards, an art emerged that consistently pursued the path of abstraction. Every remnant of representation, pictorial or figurative, was rejected: "Could such an art - which had obviously become completely independent - still be called an extreme form of abstraction, integral or total abstraction? Was there not something fundamentally new, a complete autonomy of pictorial design?" Wassily Kandinsky stated that art now only followed its own, art-immanent laws. It was an art of pure non-objectivity. Quote: "The new art has brought to the fore the principle that art can only have itself as its content. Thus we do not find in it the idea of anything, but only the idea of art itself, of its self-content. Art's very own idea is its non-objectivity." In 1930, Michel Seuphor had defined the role of the abstract artist in the first issue of Cercle et Carré. It was “to establish, on the foundations of a structure that is simple, severe and unadorned in every part, and within a basis of unconcealed narrow unity with this structure, an architecture which, using the technical means available to its period, expresses in a clear language that which is truly immanent and immutable.” The art historian Werner Haftmann traces the development of the pure abstraction proposed by Seuphor to the synthesis of Russian Constructivism and Dutch Neo-Plasticism in the Bauhaus, where painting abandoned the artificiality of representation for technological authenticity. “In close connection with architecture and engineering, art should endeavour to give form to life itself. The former provided new sources of inspiration as well as new materials – steel, aluminium, glass, synthetic materials.” As van Doesburg had pointed out in his manifesto, in order to be universal, art must abandon subjectivity and find impersonal inspiration purely in the elements of which it is constructed: line, plane and color. Some later artists associated with this tendency, such as Victor Vasarély, Jean Dewasne, Mario Negro and Richard Mortensen, only came to painting after first studying science. Nevertheless, all theoretical advances seek justification in past practice, and in this case the mathematical proportions expressed in abstract form are to be identified in various art forms over millennia. Thus, argued Haftmann, “the elimination of representational images and the overt use of pure geometry do not imply a radical and definitive rejection of the great art of the past, but rather a reassertion of its eternal values stripped of their historical and social disguises.” While Abstraction-Création was a grouping of all modernistic tendencies, there were those within it who carried the idea of mathematically inspired art and the term ‘concrete art’ to other countries when they moved elsewhere. A key figure among them was Joaquin Torres García, who returned to South America in 1934 and mentored artists there. Some of those went on to found the group Arte Concreto Invención in Buenos Aires in 1945. Another was the designer Max Bill, who had studied at the Bauhaus in 1927-9. After returning to Switzerland, he helped organize the Allianz group to champion the ideals of Concrete Art. In 1944 he organized the first international exhibition in Basle and at the same time founded abstract-konkret, the monthly bulletin of the Gallerie des Eaux Vives in Zurich. By 1960 Bill was organizing a large retrospective exhibition of Concrete Art in Zürich illustrating 50 years of its development. In 1949, Max Bill formulated the goal of Concrete Art in his introduction to the catalogue of the Zurich Concrete Art exhibition: "The goal of Concrete Art is to develop objects for intellectual use, in a similar way to how man creates objects for material use. In its ultimate consequence, concrete art is the pure expression of harmonious measure and law. It orders systems and gives life to these orders by artistic means".

Cette oeuvre peut être expédiée partout dans le monde lorsqu’elle est commandée en rouleau ( affiche ou toile )
Tout autre format, y compris la toile tendue, l'acrylique, etc., n'est expédié qu'aux États-Unis continentaux et au Canada (frais de port gratuits)

Largeur:	in.
Hauteur :	in.

Width:	ft in
Heigth:	ft in

Width:	cm
Heigth:	cm

APRIL PROMOTION RABAIS DE 40 % & LIVRAISON GRATUITE

HEURES D’OUVERTURE